Well, what can I say, much like almost everyone else in the class I was not a huge fan of Steven Donaldson's series. I tried my best to keep a positive outlook on the series as we read and discussed it, because I thought maybe this was the style of the author...to make a character so despicable and unlikeable that no one wants to continue reading but at the same time you keep reading because you hope he will change.
But that idea went out the window about halfway through the second book and I became more interested in what happened to the other characters and the land in the story than the main character.
Donaldson's style of writing just really annoyed me with the way he kept repeating phrases and cussing in places that weren't necessary. The fact that he started the series off with the main character raping one of the other main characters doesn't leave a great impression on the reader either. But I also hated how he kept killing off the best characters in the book.
On a more positive note, I thought it was super funny how in class we were discussing in our groups that it had to be all a dream state and that Covenant was going to wake up at the end and how much everyone hated those kinds of series. Well, what did Donaldson do, he wrote not one dream ending, but three dream endings in which Donaldson woke up from the dream and left the world or entered the world through a dream state. It was rather comical to watch the class get so heated over his writings.
Perhaps, even though he claims to be such a great writer and claims to take his writings from others, he really just enjoys writing works that make controversy and initiate a discussion among readers?
I don't know Donaldson's real purpose for writing the way he did in his series, but I definitely did not enjoy it and will not be keeping it.
Showing posts with label Hellfire. Show all posts
Showing posts with label Hellfire. Show all posts
Friday, December 18, 2009
Tuesday, November 24, 2009
Is Donaldson's Chronicles of Thomas Covenant worth the paper it's printed on?
It's no big secret that I am not a fan of Stephen Donaldson. I do not really consider him a major author and if could go back in time and stop myself from reading the Chronicles of Thomas covenant I probably would. What I am wondering is if this series has any redeeming qualities whatsoever or if the world would just be a better place without it.
One thing that I can see the author was trying to achieve was to defy the conventions of fantasy by making the main character a kind of anti-hero. So we get Thomas Covenant, a cynical leper who is constantly complaining and doubting the fantasy world that he finds himself in. This is a somewhat interesting concept and in the very beginning of the first book of the series I was actually intrigued but as the story wore on the combination of Covenant's character and Donaldson's narrative style killed my interest.
Why Donaldson chose to narrate an epic fantasy with an annoying anti-hero protagonist in a close third person perspective? I can't say for sure. Why no one read an initial draft of his manuscript and told him he might want to rethink the perspective? Perhaps an even bigger mystery. I think that in using a limited third person perspecive, Donaldson was trying to highlight Covenant's internal conflict in his constant doubt in the Land's existance. In my opinion the ends did not justify the means with this choice and for a number of reasons.
First and foremost that conflict was not all that compelling to me in the first place. I think that it is warrented for Covenant to doubt the Land at first based on his history with the leprosarium and the way that he has had to train himself to become incredibly grounded in reality. After a while though Covenant's constant doubt in the Land just got annoying to me. Even if he believed it was a dream why not just run with it? Moreover it seemed that with the close third person perspective, Donaldson was attempting to extend this disbelief to the reader as well as the character which for me just did not work. The willing suspension of disbelief by the reader is not just a conventino of fantasy but a convention of all fiction. I think that for the most part to subvert this convention is to write bad fiction. The "it was all just a dream after all" ending is a cliché so I don't see why leading the reader to believe that might be coming is a good thing. I would have rather seen Donaldson construct a compelling world that I could become invested in rather than have him constantly try to make me doubt the world that he did present.
Another complication that arose from the close third person narratative style is the way that exposition is handled. The world building element of fantasy fiction requires a great deal of exposition and the use of limited third person perspective only allows the author to deliver that information through things that the main character observes. One way that Donaldson deals with this problem is to jam as much exposition into dialogue as possible. The result is that characters use unnatural voices to essentially talk at the reader and provide them a comprehensive history of the Land. What Donaldson can't force into exposition he deals with through Thomas Covenant's uncanny perceptions of the world around him. To some extent this may be warrented as Covenant is a former writer but I think that the inferences that the narrator makes through Covenant become excessive to the point where it takes the reader out of the story.
So is the seires worth the paper it's printed on? Maybe I'll give it that but it's definately not worth the ink. That stuff is expensive.
One thing that I can see the author was trying to achieve was to defy the conventions of fantasy by making the main character a kind of anti-hero. So we get Thomas Covenant, a cynical leper who is constantly complaining and doubting the fantasy world that he finds himself in. This is a somewhat interesting concept and in the very beginning of the first book of the series I was actually intrigued but as the story wore on the combination of Covenant's character and Donaldson's narrative style killed my interest.
Why Donaldson chose to narrate an epic fantasy with an annoying anti-hero protagonist in a close third person perspective? I can't say for sure. Why no one read an initial draft of his manuscript and told him he might want to rethink the perspective? Perhaps an even bigger mystery. I think that in using a limited third person perspecive, Donaldson was trying to highlight Covenant's internal conflict in his constant doubt in the Land's existance. In my opinion the ends did not justify the means with this choice and for a number of reasons.
First and foremost that conflict was not all that compelling to me in the first place. I think that it is warrented for Covenant to doubt the Land at first based on his history with the leprosarium and the way that he has had to train himself to become incredibly grounded in reality. After a while though Covenant's constant doubt in the Land just got annoying to me. Even if he believed it was a dream why not just run with it? Moreover it seemed that with the close third person perspective, Donaldson was attempting to extend this disbelief to the reader as well as the character which for me just did not work. The willing suspension of disbelief by the reader is not just a conventino of fantasy but a convention of all fiction. I think that for the most part to subvert this convention is to write bad fiction. The "it was all just a dream after all" ending is a cliché so I don't see why leading the reader to believe that might be coming is a good thing. I would have rather seen Donaldson construct a compelling world that I could become invested in rather than have him constantly try to make me doubt the world that he did present.
Another complication that arose from the close third person narratative style is the way that exposition is handled. The world building element of fantasy fiction requires a great deal of exposition and the use of limited third person perspective only allows the author to deliver that information through things that the main character observes. One way that Donaldson deals with this problem is to jam as much exposition into dialogue as possible. The result is that characters use unnatural voices to essentially talk at the reader and provide them a comprehensive history of the Land. What Donaldson can't force into exposition he deals with through Thomas Covenant's uncanny perceptions of the world around him. To some extent this may be warrented as Covenant is a former writer but I think that the inferences that the narrator makes through Covenant become excessive to the point where it takes the reader out of the story.
So is the seires worth the paper it's printed on? Maybe I'll give it that but it's definately not worth the ink. That stuff is expensive.
Thursday, November 12, 2009
Terrible
Quite possibly the worst Trilogy ever!!! Maybe not quite the worst but it is a great example of a poorly written story. Stephen Donaldson’s lack of creativity (Kevin, the land, etc…), lack of world building (the land), and lack of character development (just because there’s different races doesn’t mean a thing), as well as annoying repetitive phrases (it was as if… or Hellfire!) leaves the reader annoyed and irritated once they have finished reading this excuse for literature.The Thomas Covenant Unbeliever series could quite possibly be an amazing story, one that would engage the reader from beginning to end, if perhaps it was written by someone other than Donaldson; anyone other than Donaldson! Donaldson’s idea of an outcast from our world being able to be transported to a world that is so full of life and magic, a place where this outcast is revered as a supreme being that has the power to save this land and its inhabitants, is a great idea. However Donaldson’s flaws and shortcomings as a writer cause this story to fall flat on its face. There are four main crimes that Donaldson is constantly committing while writing this story. The first of which is his total lack of creativity.
While reading this story I immediately found that rather than focusing on the plot and storyline, I was distracted by Donaldson’s attempts at being creative. Kevin? The Land? Lepers? What is this guy doing? The main bad guy is called Kevin. Need I say more? While the main bad guy is Kevin, Donaldson uses words that require an appendix at the back of the book to understand, but Donaldson could not come up with a better more powerful name for the bad guy other than Kevin? What about this world that Covenant is transported to? It is simply referred to as “the Land”. Come on, you need to be more creative than that.
This brings us to the second crime that Donaldson commits: World building, or lack thereof. Donaldson’s world comes off as being flat and boring. Sure this world is full of magic and life and it is a place where the inhabitants have a deep understanding of the world, but Donaldson fails at developing it to its fullest potential. The majority of this story takes place in a select area of this land. It isn’t until the story climax’s that the action and plotlines explore other areas of the map.
The third crime is that of character building… Donaldson’s main character, Thomas Covenant, could not be hated by the reader anymore if Donaldson tried. Covenant is not even an antihero; he is just a terrible person. He has no redeeming qualities about him until it is too late for the reader. I do not even want to read to the end to find out if everything works out for Covenant; I just want him to die so the story ends. Also all of the minor characters are all so flat! The bloodguard? This could be a great set of characters but they’re not. Donaldson fails miserably at creating characters that the reader feels any sort of sympathy for.
The last (and perhaps the worst) crime that Donaldson is accused of is this: repetitive and annoying phrases and words. I cannot explain how ridiculously irritating it is to begin ever paragraph with this phrase “it was as if yada yada yada” or “the land was like a yada yada yada”, and then end every line with this word, this one teeth grinding, nails on a chalkboard word, makes me want to retch word: “Hellfire!” Donaldson cannot even come up with a creative way to swear. These and other repetitive actions that occur loose the reader.
For all of these crimes that Donaldson has committed, I say that immediately seize his quill and destroy it. For the sake of the fantasy genre this man needs to be stopped! Halt and desist immediately Stephen Donaldson. If he continues he will inevitably bring about the end of this genre.
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